The Velvet Chamber
An Anthology of Revisioned Myth and Fairy Tale

Explore the dark side of the female psyche --A CALL FOR WRITERS




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Monday, August 30, 2010

Am I still Anna Karenina?

Speaker One

Members of the academy---- as a romantic character, a woman, I am the embodiment of all your theories and desires. I particularly enjoyed my incarnation as a late 21st century hacker Anna Karenina, Tanya X. And Vronsky as the spy she falls in love with--- nice touch. But she kills herself before they can do it. I’m willing to go along with all these little literary experiments, but I’m still not getting laid with any regularity. I’m not getting any S-E-X. And this is definitely getting to be a problem. It’s been five years now. I’d like to jump someone’s bones. Put me in a bodice ripper, let a half-wolf, half-man ravage me. Or something.

And so I’m honored this evening to have Professor Lucy Witter-Avedon, from a very prominent university in Bologna, as my first speaker this morning, and without any further ado I’d like to welcome her to the panel. As she takes her place here on the podium, once again I’d like to remind you, esteemed members of the academy, that you need to find me a narrative so I can get some action in the sack. I don’t know how I can be any clearer. Professor Avedon?

Speaker Two

You’re wearing a Balmain dress, your honey blond hair is wound in an elegant chignon revealing heavy silver earrings. You’re often photographed at Martha’s Vineyard at sunrise, Key West on New Year’s Day, Coney Island on Christmas, and variously at dive bars in Montauk. You’re a woman of a certain age and you are also a woman of the world. You’re a 21st century woman. You’re 40 years old, the 1st wave of feminism is ancient history. So if you’re going to commit adultery, it’s going to be an informed decision. Which means you have enough agency to do it on your own. This is my view. And for this, you don’t need a writer. Let me repeat. This story writes itself. It always has. Authors have always been incidental. You should know that by now.

You could be Anna Karenina again, but not a trashy mash-up. Instead of throwing yourself on the tracks and dying, Benito, a maintenance worker, rescues you at the last minute. As he pulls you to safety, his dark eyes blaze a trail through your heart. You find yourself in a supply closet off the main gate. He’s about to fuck you blind, but you don’t mind. He’s stupid, but that doesn’t bother you either. As he roughly unbuttons your silk blouse and rips off your expensive jewelry, you muse that fucking is better than dying. That would be a revelation for Anna Karenina. So you don’t fall in love, not at all. But at least you are not pulverized. Three days later, you are accidentally shot and killed.  It's tragic but at least your desire is fulfilled

Speaker Three

The story has to maintain its purity. I’ve said this many times before.  Otherwise what is the point? She is tragic, has always been tragic and must remain tragic, this is why she is so beautiful. So hear me out--- Anna K can finally have her orgasm just as the train is crushing her body. It can be a manual orgasm or a mechanical one. Perhaps the vibrating tracks quiver and shake as the iron beast approaches. And in this way, the story retains the same architecture. The same power.

Speaker One

The point is to get laid and stay alive.  But I could be that girl who is photographed at sunrise on Martha’s Vineyard. Why not? The image is beautiful, yet it hides my inner turmoil. I’m on the beach by a bit of driftwood, the sky is barely pink. Why am I alone at such an early hour? Or am I alone? It’s the moment that everything is crashing down around me. The night before, my husband  found out about my affair. We’d just finished dinner at a small but exclusive club in Montauk. I had a bowl of lobster bisque and monk fish with juniper berries, and a white rioja. The stars were out. It was the end of summer. I was wearing that Balmain dress, but my hair was loose, I liked the way it felt in the wind.

 I know that when we get home there will be message for him on his Blackberry. I know it will be the end of our marriage. I know that this will also disgrace his family. But I do nothing to stop this from happening. I’m supposed to want to kill myself, but I don’t. This where my desire differs from the canon. And maybe I’m on the beach at dawn because I getting my wits about me. Heads will roll. Shit will hit the fan. I know this. But all I want to do is call up my lover, the DA who is prosecuting my prominent husband for bank fraud. I want to fuck him for hours on the deserted moonlight beach. Because after that revivifying fuck, I want to steal my soon-to-be-ex-husband’s Porsche, sell it for parts in the city, and disappear. I’d like the story to start right here. When she disappears.
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She grabs him, and kisses him

"She adorns herself with many ornaments like a despicable harlot, and takes up her position at the crossroads to seduce the sons of man.  When a fool approaches her, she grabs him, kisses him, and pours him wine of dregs of viper's gall.  As soon as he drinks it, he goes astray after her.  When she sees that he has gone astray after her from the paths of truth, she divests herself of all ornaments which she put on for the fool. Her ornaments for the seduction of the sons of man are: that her hair is long and red, and from her ears hang six ornaments, Egpytian chords and all the ornaments in the Land of the East hang from her nape...her tongue is sharp like a sword, her words are smooth like oil, her lips are red like a rose and sweetened by all the sweetness in the world...yon fool goes astray after her and drinks from the cup of wine and commits fornications with her...that fool awakens...[and] she stands before him clothed in garments of flaming fire, inspiring terror and making body and soul tremble...and she kills that fool and casts him into Gehenna."
---Zohar I 148a-b Sitre Torah
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I like when she "grabs him and kisses him."  This is Lilith of course.  The only Biblical woman who has any agency at all. 
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Saturday, August 21, 2010

St. Catherine of Alexandria

"St. Catherine, another frequent companion of the Black Virgin, was for centuries one of the most popular saints in the calendar, whose fame was brought to the west by returning crusaders.  A native of Alexandria in its third century apogee, royal beautiful, rich and learned, she was, according to Everyman's Book of Saints, courted by Emperor Maximian.  She refused his advances and confounded a multitude of scholars assembled by him to overcome her scruples.  Enraged he had her broken on the wheel, scourged and beheaded, at which milk flowed from her breasts. But while she was in prison, she was fed by a dove, and received a vision of Christ...which some say culminated in a mystical marriage."

Ean Begg, The Cult of the Black Virgin

I'd like to see a modern version of this story.  A god descends down from heaven and consorts with a mortal woman.  Of course there are variations on this trope in Greek and Roman mythology, but none in the Judeo-Christian tradition, at least none with any panache or style.

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Wednesday, August 18, 2010

Salome danced

"Prepare the kingdom for my dance."
---Salome



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After we'd been on the highway about an hour, it started to snow. Sammy leaned down to pick up the roach he'd dropped, and we skidded off the highway. His black Cadillac landed gently in a smooth gully, the snow drifting around us. We finished smoking the joint, then he put the car in gear, and we took off. We got to the after hours club, all five of us, around 2:00 in the morning. I was out on the dance floor in my silk flamenco skirt and pink feather boa. Two guys shimmied up to me, two strangers, who got a little aggressive, a little too close.

Alarmed, I backed away, and fell into the arms of Artie, a rock star, who invited me out to his car to snort coke. I couldn't believe he had less than a half a gram. We must've been out there a while because when I went back in, I couldn't find any of my crew. I checked the bathrooms, the parking lot, back inside, everywhere. I looked in my bag and found ten cents. The sun was starting to come up. I was 90 miles from home.




The two men from the dance floor, one short and one tall, approached me in the almost empty parking lot, sodium lights glaring and said, What's up girlie? I said, Like my whole crew forgot about me. I need a ride home. The taller one said, Which way you headed? I said, North. He pointed to a tiny car, a Carmen Ghia. Powder blue. He opened the door, Get in. So I did.

I had to sit on the short guy's lap. We hit the highway going way too fast. I was annoyed it was almost dawn, and I felt like strangling myself with my pink boa. Beneath me, the short guy was moving his hips up and down. I could feel his erection. The driver said, So you didn't want to dance with us? Is that right? No, its not right, I lied, I was with my boyfriend. The other man replied, What kind of boyfriend abandons his woman in a parking lot. I answered, Not a good one, I guess. Damn sure straight, the driver laughed, pounding the steering wheel.

He turned on the radio, Do you like this song? I was like yeah I love this song. He swerved into the far right lane and parked on the shoulder of the highway. Then he turned to me and announced, Well I'm going to ask you to prove it. Prove what, I asked. Yeah, prove it, prove that you love it, the short one laughed. I laughed, too, like I was cool, in control. The driver leaned over, his breath smelling of bourbon and maraschino cherries, whispered, You don't have a boyfriend.

I don't, I asked. Naw, he replied. And I think you just didn't want to dance with us. Yeah, the other one said, Like you were too good. The sun was out now, and hurt my eyes. I was coming down off the coke. The occasional car streaked by. I just wanted to get home. The driver continued, And if you wanna get home you're gonna have to dance in the middle of the highway, and we get to watch. I said, I could hit by a car, dude. He replied, Not if you move fast enough.

I reached over, opened the car door, and fell out into a snow bank. I ripped off my fake fur coat, and threw it at the short guy. I adjusted the straps on my silver platforms, and strode out into the middle of I-94. I screamed at the driver, Turn up the music motherfucker so I have something to dance to. He did. It was a new song, one I'd never heard before, but I loved it. I knew I wasn't dancing in the middle of a highway for two strangers. Who now looked afraid of me. I was dancing for myself. It started to snow again, and I thought that was beautiful.



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Monday, August 16, 2010

Morrigan


Morrigan, the dark mother or the great queen of Celtic mythology.  Appearing on the field of battle as a black crow. A shape-shifter, now a beautiful woman.  Now, dark and sinister. No one would call her a virgin.  No one would dress her in a gown and take her to a ball.  She wouldn't wait by the fireplace for the prince.  No.  She would rather cut your head off in a moment of ecstasy.  She plucks soldiers from the field of battle and tells them, now is your time to die.  Or she is a gentle escort as you exit this world. 

Image: Picasso
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Saturday, August 14, 2010

Revisions in the Garden of Eden


"Unlike many of his contemporaries among deities of the ancient Near East, the God of Israel shared his power with no female divinity, nor was he the divine Husband or Lover of any.  He can scarcely be characterized in any but masculine epithets; king, lord, master, judge, and father.  Indeed, the absence of feminine symbolism for God marks Judaism, Christianity and Islam in striking contrast to the world's other religious traditions, whether in Egypt, Babylonia, Greece, and Rome, or in Africa, India and North America which abound in feminine symbolism."

--- Elaine Pagels, The Gnostic Gospels.
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I am particularly intrigued with the idea of "the God of Israel" as divine husband or lover who is subordinate to a female goddess.  Or at least equal. Maybe it's Lilith, Eve or even Mary.  Maybe she doesn't want to rest on the 7th Day.  She wants to keep going.  Keep creating.  They argue, they fight.  She wins.  In the Garden of Eden she continues to make the rules.  He bows before her wisdom.  I like it.
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